You look at any comedian who's between 25 and 30 and you'll have trolls going years back to see what they said when they were 19. People are always trolling, like, for example, going way back in Trevor Noah's Twitter feed. Everyone approaching jokes with a "How dare you!" attitude. Where do you think the general consensus lands with the live sketch show in 2015?īringing back "In Living Color" or something is tough because of the black Twitter outrage about everything. There was a guy that hung out with Eddie Murphy all the time that was driving me around years ago who kept calling me a "deadly assassin" because he heard I had my black belt and I would deny it being a big deal and that just further enticed him and sparked him to say things like, "I love you brush it off! Makes you even deadlier! They'll never see it coming." I even did a couple tournaments, I recently found the pictures and my little trophies. It's all 15-year-old kids and lunatic, nut job, ex-military crazy people. I was in my attic looking for a suitcase recently and I saw him still up there, staring at me like a dead body. It was hysterical.īut I have to ask, do you still have your-ĭanny puppet? Yes. He was talking about recording an album and going on tour. I talked to one old Southern redneck for over an hour who wanted to combine my rap character's hip-hop sound with his square dancing business. People recognized us by the third season, and then we all just started feeling really bad. All the unaired calls have to be funnier than the aired ones. But honestly, by the end of the show, I remember calling people up and they knew it was me. But the thing is, you can only crank call people from a couple states and record it legally, so we were always filming in Arizona, in places without caller ID. Ya know, I really think they could do it again. Why the hell isn't "Crank Yankers" still a show? I'm going to ask something a little off topic, but I think you'll agree that my wonderment is warranted. That's great it's worked so well with everyone so far. Sometimes there's an anxiety I don't like, where I feel like they're pushing my character and what they want him to say … shutting my voice down in a sense. I've been in shows before where I don't trust my writers or the showrunner or the network. Things might eventually evolve and change, but right now? I feel really taken care of. Oh, I wonder if will try to shoehorn cast members of different races into it eventually?" But right now it's all about the relationships between the characters. I realized that later on, too, and thought to myself, "That shouldn't be a thing. I feel like putting a mix of races in a sitcom is very common in 2015. The whole cast is black, which is something you don't see a lot of right now. When you're working with people half your age, it's nice to have her around, who I've known and worked with for 30 years myself. And I went in for the audition and saw Loretta coming out, who immediately said, "They're gonna like you!" And eventually we both got cast in the show. ![]() But when I got a script for this show, it didn't come from him it came from my people. He attacks issues from outside of the obvious position. I saw him do a spot in Montreal and I loved his vibe, his voice, his smarts. ![]() I met him in 2010, or maybe even earlier than that, and just instantly became a fan of.
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